Deconstruction of Totalitarianism [1]
Reading, last night, from Jacques Derrida's
'Like The Sound of the Sea Deep Within A Shell: Paul de Man's War', in
Memoires for Paul de Man (Revised
Edition) (Columbia UP, 1989). de
Man's wartime writings, uncovered in the late '80s and after his death, have
provoked some controversy. As a literary journalist in Belgium for
Le
Soir newspaper from 1940-1942, he wrote a
column concerning the arts and literature, one instance of which contained
anti-semitic passages (although nothing that would warrant an accusation of
Nazism). These passages are also difficult, for they are 'convoluted'; moreover,
de Man also apparently contributed material to
Exercises du
Silence, a resistance publication. It appears,
more than ever, that de Man was engaged in a tactical media of some sorts.
Although this may appear a two-faced movement (i.e., a foot in each pond), it
may be that de Man was playing what had to be said in one paper--while at the
same time phrasing some very interesting things that in fact question Nazi
ideology--while doing, or writing, elsewhere, another. In any case, and besides
noting that de Man quit Le
Soir shortly after it was put under full
censorship, Derrida's analysis of de Man's writings performs the interesting
manoeuvre of not only complicating de Man's wartime writings--& here I
wonder, what will these writings, the blogwritings, written often quickly, be
construed as in the future? For are we not also under a censure of
'wartime'?--but of engaging in a mock game of polemics with the opportunists
who, in the '80s, and after de Man's death, saw de Man's wartime publications as
a chance to condemn the entire enterprise of 'deconstruction' outright. It is,
in fact, with this operation--that of totalising, condemning, judging, putting
on trial (en
proces)--that Derrida identifies a
totalitarian logic. (1) Such a
formalizing, saturating totalization seems to me to be precisely the essential
character of this [totalitarian] logic whose project, at least, and whose
ethico-political consequence can be terrifying. One of my rules is never to
accept this project and consequence, whatever that may cost. (2) For this very
reason, one must analyze as far as possible this process of formalization and
its program so as to uncover the statements, the philosophical, ideological, or
political behaviors that derive from it, wherever they may be found. The task
seems to me to be both urgent and interminable. It has occurred to me on
occasion to call this deconstruction...
(240)Derrida goes on to say, in
"the discourses I have read or heard in the last few months [1988]... whether
they attack or defend de Man, it was easy to recognise forms off behavior that
confirm the logic one claims to have rid oneself of [i.e. totalitarianism]"
(ibid.). These behaviors include: "purification, purge, totalization,
reappropriation, homogenization, rapid objectification, good conscience,
stereotyping and nonreading,
immediate
politicization or depoliticization (the two always go together),
immediate
historicization or dehistoricization (it is always the same thing), immediate
ideologizing moralization (immorality itself), of all the texts and all the
problems, expedited trial, condemnations, or acquitals, summary executions or
sublimations. This is what must be deconstructed..."
(241).It is this logic that
not
only underlies the obvious strategies,
language and power of the Bush regime and its nationalistic militarism,
patriotism, and so on, but also surfaces in the discourse and strategies of the
left, for example, as noted in the analysis of Adbusters and its poorly researched
opinion, if not plain homogenisation and dismissal of none other than Jacques
Derrida.In any case, the concern over
our current events is resonating clearly enough. In the recent edition of the
MLA
newsletter (Modern Language Association,
Spring 2004, 36:1, p. 3), President Robert Scholes, after recognising the
"thirty thousand positions on most issues" of MLA members, and thus undermining
his authority to speak "for you on any occasion, even rather cautious in
speaking to you," recognises that "speak [he] must." With the death of Edward Said and Carolyn Heilbrun on his mind, he turns to Said's
advice of "speaking truth to
power": It
is my duty as well, and, in some sense our duty, the duty of all of us who teach
language and literature, to speak truth to power. Our language is being abused
daily by masters of spin. In his prison, Florestan [a character in Beethoven's
only opera,
Fidelio,
who is imprisoned for speaking such truth to power] dreams of
Freiheit--freedom.
But, alas, this is now one of the most abused words in the modern languages.
Some are born free, apparently, and some achieve freedom, while others are to
have freedom thrust upon them. As a nation we are simultaneously thrusting
freedom upon reluctant foreigners and curtailing the freedoms of our own
citizens, even as are spending to restore educational institutions abroad while
allowing them to become impoverished at home.
Scholes' idea of duty is
neither nationalistic nor duty-bound; it is a duty beyond duty (despite the
narrowing of this duty to teachers of 'language and literature'). One gets the
sense this is a duty beyond, a duty not that of 'to the State', but of the
figure 'truth to power'. He treads a fine line in suggesting what 'truths' need
to be spoken, and to what 'power'. This power is not only that of the 'nation',
in which the 'we' of this article is complicit. This power extends to the
privatization.
It extends to all, to oneself; it therefore does not mean that such 'truth' is
implicitly
right.
This is a complicated act of freedom, yet, of questioning the premises of
'freedom', the word, and also its economic
effects: This privatization of
education will allow the wealthy to purchase the best education available for
their children, even as it condemns the children of ordinary citizens... In the
name of "freedom" of choice, economic status is rigidifying into a class
structure all around
us.Privatization to patriotism,
and I quote the remainder of the
column: And
in the name of "patriotism" (as in the Patriot Act), our academic freedom to
seek the truth and teach what we find is also being restricted. [...] We
["members of the MLA", whose offices are close to Ground Zero] offer no comfort
to terrorists who kill innocent people [notice the qualifier:
innocent].
But we also know that
patriotism
and
freedom
are words that are capable of abuse and therefore in constant need of scrutiny.
Thoreau advised us to beware of enterprises that require new clothes. And I
would say that we should be doubly cautious of those who drape themselves in
the flag. In Luca Signorelli's famous
frescoes of the apocalypse on the walls of the duomo at Orvieto, the preaching
Antichrist looks remarkably like standard representations of Jesus. We can only
wonder what words he is uttering, but we can be certain that he is a master of
spin, as he is so clearly an expert in disguise [reread that & its
implications, again-tV]. I am saying no more, I suppose [this time not a
qualifier, but a supposition, a possible, or maybe], than we need to read and
listen critically to all the words we encounter, and we need to insist on our
right to bring critical judgments to bear on the language of our leaders, to
insist on our right, and even our duty, to speak truth to power, in our
classrooms and in public as well. And we must also remember that, in those
classrooms, we
are power
[and here, the contingency of Said's dictum, its own power implications], so we
must recognize the rights of those who disagree with us to speak their truths
to their classmates and to us. Academic freedom must go all the way down, or it
starts to spin ominously
itself.It is for these
reasons--the way in which language can imply so much in so little, hint and
question--that I find reassurance that what can be marked as dissent, 'within
the academy', insofar as it questions, and does not follow blindly, is still, at
least in some areas and organisations, alive and well. There is more to say
here, on the line being tread, on Derrida's cautions--but I think Scholes knows
them well enough, and leaves us here with many questions in the call to assume
responsibility, a responsibility not unlike Derrida's rule "to never accept
[the] project and consequence" of totalising, and thus, totalitarian logic,
"whatever that may cost cost."
posted. Wed - February 11, 2004 @ 12:27 PM
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..ziP:
./them.hallucinates./.
.this blog sketches words & links from tobias c. van Veen -- renegade theorist & pirate. Everything here is in-progress, often a mess of thoughts and poorly edited grammar.
currents.projekts
- [o8.28.o4] improv.show, curated by Aime Dontigny, with Diane Labrosse, Esther B, Marinko Jareb, Constantine +. more info tba.
- [10.14-19.o4] New Forms Festival, Vancouver, BC.
recent.enough
-[o6.28-o7.o6.o4] Amsterdam, Netherlands, @ Steim
-[o6.20-28] SLS, Paris, France.
-[o6.15-20.o4] Barcelona / SONAR, Spain
-[o6.16.o4] performance @ ColdCreation Gallery, Barcelona
-[o6.11.o4] No Type showcase @ Casa del Popolo
-[o5.29.o4] Addictive TV jam_session @ SAT. Free, 8pm+ .
-[o5.21-23.o4] Phantom Power, North Bay, Ontario
-[o5.16.04] SAT w/ me & Colin the Mole [HOSER A].
-[o5.o3.o4] SHARE.dj, NYC (Open Air, East Village, 9pm-12am).
-[04.28-05.04] Troy/Boston/NYC.
- [04.15.04] Anyware :: broadcast from SAT with Tomas Phillips, [sic], Sylvain Aubˆ©, Physical Noise Theatre. Organised by SHARE.dj, NYC.
- [03.31.04] Casa del Popolo: a. dontigny & diane labrosse. [experimental turntablist set].
- [03.27.04] Primavera (art happening & music). [La boite H], Studio 389, Groover Building,
2065 Parthenais. Info: 514.529.1007 . Metro Frontenac, Montreal.
- Deep Listening Night, MTL [03.06.04]. Contact for invite. Feat. myself and Thomas Phillips collaborating among others.
- Artivistic Conference. McGill University, Montrˆ©al, Cultural Studies Building, 3475 Peel St. " Sampledelia: Turntables and Sonic Force" [talk with turntables, March 2nd, 7pm]; Vernissage with tunes, March 2nd, 9pm; Roundtable on " The State of Art in Activism Today and Future Artivist Strategies" [March 3rd, 2:30-4pm].
- Left.Coast jam_sessions @ SAT. w/ Noah Pred, Colin the Mole, VJs Chanti & cousinchang. [02.25.03]
- DJ Spooky @ SAT. opening techno-turntablism & collage. [02.13.04]
- No Type show at Casa del Popolo feat. Books On Tape &
Mr. Mixel Pixel & me un/manning the wax. Jan. 28, Montreal. $8.
- olo J. Milkman - RECOMBINANCE - light projections & lines @ SAT. WiTH me on turntables. jan 29. 7-10pm, FREE, Montreal.
- Autonomedia/Chronoplastics fundraiser for Sound Generation book. January 8th & 10th, NYC.
detailed.recent.projekts
+ dj sets +
- [o6.20.o4] "...attico mixdown," barcelona. streams: 48k | 128k + downloads: 48k | 128k. hosted by Burn.fm.
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...puplished 0n: Aug 13, 2004 01:51 PM
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