Brian Massumi 10 years passed & never so relevant as now
[Brian Massumi 10 years passed & never so
relevant as now]
Interview with Brian Massumi by Benjamin Hoh of
AntiPopperThe approach toward
Deleuze that Brian Massumi takes is one that is at once
rigorously theoretical, and yet, unlike much of the French intellectual stance,
completely willing to answer the questions of North American pragmatism in a way
very unlike the comparatively de-radicalized explanations one finds in Richard
Rorty's reduction of Derrida, for example. Moreover,
Massumi lives what he speaks, in his personality and manners, in who he is. He
is not an angry person--he has discovered and forged his own path out of the
trap of activist cynicism & burn-out. He is an example of the balance that
can be struck by following radical analyses in the world of academia that
sustain a discourse with students, academics, readers and activists alike, much
like Michael
Hardt and Manuel de Landa. Moreover, I find Massumi's
perspective often strikes a chord with my own. Here's an interview I found
today, from 1993, that could just as well be 2003, save for an avoidance of the
politics of fear that now grips post-911 analysis, a politics of fear that
Massumi also defined in the early '90s, as editor of
The Politics of Everyday
Fear. How's that for reciprocal,
prescient time-travel?In any case, this
interview perhaps answers some of the rightful criticism Anne
Galloway has thrown my way for maintaining an influenced opinion of
Deleuze that takes up points struck by Massumi. This is true, perhaps not only
because of the reasons above, but also for reasons that are pedagogical. For the
take on Deleuze I encounter is also one that is based upon a perspective which
calls to attention the need to investigate the tendrils and yet the cohesiveness
of a theory, and which, after completing undergraduate training in "Literary
Criticism," is ultimately suspicious of the ways in which easy theories such as
the "rhizome" are recycled over and over again without much thought given to the
fact that this entry-level concept is just that & that simply making links
between the internet and the rhizome is a rather obvious gesture. While stealing
bits of Deleuze for comp-sci analyses of networks is exactly what needs to be
done, it also needs to be done at a level which is above and beyond simple
meme-translation of sexy concepts. Now, I'm not saying that any of the citations
Anne has mentioned are at this level (although I think LitCrit & CultStud
often are), but that often I remain healthily suspicious of buzzword
applicationism. Plug-in Deleuze .. but how to do it without sounding like
another pop-up for the Rhizome Party? That's why I turn to Massumi, who is one
of the few who has
advanced
Deleuze's thought.//--excerpts, because
this interview is "Extremely
Important:"Creating
social networks and social forms is extremely important as an alternative to
participating in the organisational forms as we find them, but in a way it's
also exactly what the economy does now. In a sense it's participating in a
creative aspect of capitalism, which (according to a lot of theorists now) is
precisely about that: the products which capital produces are less consumer
objects, but the forms of cooperation that go into making them. You can see that
in relation to the information economy - not only in the media, and circulating
forms of cooperation, but also in cybernetics and informatics, creation of
software, games, networking through computers, billboards and other kinds of (as
yet fairly uncontrolled) ways of communicating. It's conveying a difference and
creating something on the order of a new form of cooperation, while it's also
participating in a general movement in the economy.
One of the fatal flaws
of progressive movements in the Sixties and early Seventies was the idea that
you could simply step out of the system - drop out and attack it from outside.
That's a way of not seeing what you bring with you, because you've internalised
a lot. The way you stay alive is by having a job and participating as a
supposedly productive member of capitalist society; you have to deny that to
operate in this framework - as if there's a kind of purity that you can step out
into - and that's unsustainable, especially when unemployment is most developed
countries is running to ten to thirteen percent... most people don't have the
luxury anymore.
[...]...I
think that self-extinction is perhaps one of the most important goals that an
individual or organisation can make, in the sense that if you really are
affirming potential, and the future, you are in a sense negating what you are
now. To become, you have to undo yourself, and your organisation will have a
built-in lifespan, a kind of planned obsolescence.
[...]Now,
people like Negri think that another step has been taken, and that figures of
marginality aren't as key as they were, since the economy itself has learned how
to profit from marginality, to profit from difference, and to actually create
difference. Now they're looking around for strategies for situations where the
centre is the margin and vice versa. There isn't a margin that exists anymore;
the economy is completely global - it's taken over the entire ex-Soviet-bloc;
it's intensely colonising or re-colonising the "Third World", so there isn't
that inside/outside, margin/centre. But at the same time, that means that forces
of production are being decentralised and disseminated everywhere, and that they
have to deal with the creation of new potentials that might be hijacked towards
non-capitalist ends.
[...]I'd
say that the message is very different: difference is everywhere - find it where
you are, and further it. I think it's self-serving to take these negative
stances: "you should not do this, because it doesn't meet my standards of
action". One of the refrains of traditional Marxist thinking is "the conditions
aren't right - don't do it"; that's what was said in Italy, that's what was said
in May '68, that's what was said in the States during the Sixties... there's a
continual refrain: "we have to have a complete, correct analysis before we act"
- and that means that they never act, or they act to keep people from doing
things. I think what's important is to keep thinking and acting in the situation
you're in: attempting to connect it with larger situations and global patterns,
but never pretending to function on that global or totalising level - because
that also is a fiction. It's only a disciplinarian move; it's to try to create a
definition of the proper kind of action and the proper
conditions.[...]It
seems to me that there's a need to beyond self-interest, but not in the sense of
selflessness; I would call the difference between self-interest and desire the
difference between conceiving yourself as being complete but somehow stifled and
trying to find a way to express what you are and have it recognised and attended
to... and the idea that you're in a world: you're directly open onto it, you're
under its influence, you don't necessarily have control over that, but you're
always responding, reacting and acting within it; that you're constantly being
changed, and changing, whether you perceive it at a particular time or not...
that the world is a cauldron of change. And that's beautiful. I guess I would
see it more as aesthetic - to put yourself on the side of change, against
self-interest - because if you do change, you'll no longer be that self, and
will no longer have the same interests. I see desire as trying to hook up with
potential, rather than with interests; I think there's a difference between
potential-to-become-something-different and an interest in being who-you-are to
a greater extent.
[...]So
I think it's much more important to affirm the process of that differentiation,
of that change, and to revel in it, and to find your desires in it - pleasures.
If you're a member of any organisation, and it's not an intense experience,
well, then it's probably not worth doing. So I think there has to be a
valorisation of the present moment and the untapped potential in the present,
and that's what you should really be oriented towards, because if you're
oriented towards a possibility that you can project from right now... even if
you get there, you won't be satisfied - it will be a shadow of what really could
have been, because the potential of the present is always much greater than any
possibility we can extract from it, or give a name or image to. I think that's
one of the lessons of feminism and maybe one of the lessons of the Sixties: the
process itself is much more important than the end point, and so the question of
"were they self interested?" becomes irrelevant. Instead: were they alive? Were
they intense? Are there ways that we can connect with that, and attempt to
further it, and further differentiate it? So it's more like an ethics of
invention and intensity, rather than a moral politics saying that "people
failed, so let's be pessimistic, so let's not do anything."
[...]
posted. Fri - September 19, 2003 @ 12:21 PM
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..ziP:
./them.hallucinates./.
.this blog sketches words & links from tobias c. van Veen -- renegade theorist & pirate. Everything here is in-progress, often a mess of thoughts and poorly edited grammar.
currents.projekts
- [o8.28.o4] improv.show, curated by Aime Dontigny, with Diane Labrosse, Esther B, Marinko Jareb, Constantine +. more info tba.
- [10.14-19.o4] New Forms Festival, Vancouver, BC.
recent.enough
-[o6.28-o7.o6.o4] Amsterdam, Netherlands, @ Steim
-[o6.20-28] SLS, Paris, France.
-[o6.15-20.o4] Barcelona / SONAR, Spain
-[o6.16.o4] performance @ ColdCreation Gallery, Barcelona
-[o6.11.o4] No Type showcase @ Casa del Popolo
-[o5.29.o4] Addictive TV jam_session @ SAT. Free, 8pm+ .
-[o5.21-23.o4] Phantom Power, North Bay, Ontario
-[o5.16.04] SAT w/ me & Colin the Mole [HOSER A].
-[o5.o3.o4] SHARE.dj, NYC (Open Air, East Village, 9pm-12am).
-[04.28-05.04] Troy/Boston/NYC.
- [04.15.04] Anyware :: broadcast from SAT with Tomas Phillips, [sic], Sylvain Aubˆ©, Physical Noise Theatre. Organised by SHARE.dj, NYC.
- [03.31.04] Casa del Popolo: a. dontigny & diane labrosse. [experimental turntablist set].
- [03.27.04] Primavera (art happening & music). [La boite H], Studio 389, Groover Building,
2065 Parthenais. Info: 514.529.1007 . Metro Frontenac, Montreal.
- Deep Listening Night, MTL [03.06.04]. Contact for invite. Feat. myself and Thomas Phillips collaborating among others.
- Artivistic Conference. McGill University, Montrˆ©al, Cultural Studies Building, 3475 Peel St. " Sampledelia: Turntables and Sonic Force" [talk with turntables, March 2nd, 7pm]; Vernissage with tunes, March 2nd, 9pm; Roundtable on " The State of Art in Activism Today and Future Artivist Strategies" [March 3rd, 2:30-4pm].
- Left.Coast jam_sessions @ SAT. w/ Noah Pred, Colin the Mole, VJs Chanti & cousinchang. [02.25.03]
- DJ Spooky @ SAT. opening techno-turntablism & collage. [02.13.04]
- No Type show at Casa del Popolo feat. Books On Tape &
Mr. Mixel Pixel & me un/manning the wax. Jan. 28, Montreal. $8.
- olo J. Milkman - RECOMBINANCE - light projections & lines @ SAT. WiTH me on turntables. jan 29. 7-10pm, FREE, Montreal.
- Autonomedia/Chronoplastics fundraiser for Sound Generation book. January 8th & 10th, NYC.
detailed.recent.projekts
+ dj sets +
- [o6.20.o4] "...attico mixdown," barcelona. streams: 48k | 128k + downloads: 48k | 128k. hosted by Burn.fm.
\\ back.ground & contact
friendly.fire
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...puplished 0n: Aug 13, 2004 01:51 PM
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