conversation with Adam Greenfield <v-2> //
Oi,
Adam Greenfield & I exchanged a few thoughts over email on a post from awhile back -- on the TAZ, Barlow
& other subjects, and with his permission, here's the back & forth on
two emails, up for
discussion...from
Adam:Hey hey
-Lotsa thoughts on yr recent rant re:
the false consciousness engendered by Burning
Man, many of them refusing to cohere because it's quarter to eleven
on a Friday
night.Try this on for size, though: I
have a very, very hard time taking "HakimBey"
(Peter Lamborn Wilson) as any kind of progressive at all, despite
theundoubted influence the TAZ had and
continues to have over me.Bey/Wilson's
continued advocacy of and paeans to adult-child sex strike
meas essentially Sadeian; that is, the desires
involved depend for theirfulfillment on the
deprivation of meaningful consent on the part of one
ofthe two parties to what should be an act of
love.Put more simply, what he describes
as a gesture of adoration is something Iwould
regard as raping a child, and it's his ethical opacity on this
subjectmore than anything else that
disqualifies him as a progressive. To
me,anyway, what he's really on about is the
freedom of adult white men todisport with
whoever and whatever they please, absolved of all
consequences,and in this I don't think of him
as so terribly different from, say,
DickCheney.I
also kind of want to disagree about the idea that there's little
ornothing "sane" left worth saving in the
world. That stance strikes me as anihilism
that not only flirts with the reactionary, but is
alsoextraordinarily disrespectful of the real,
hard work being done to buildalternative
institutions and modes of communication outside the
twentiethcentury's givens.
Anyway, keep up the provocative writing.
It's always a
pleasure.Best,A.NYC---//..
from
tobias:\\---hey
A,Thanks for the well-thought out
thoughts. I should probably make more
clearwhere I stand on Bey -- but this would
not be a stance but a dance -- & isindeed
the work of impending academe work which hopefully will see
properpublication in only (!!) a few short
years ..I agree with your critiques of
Bey. He is a self-proclaimed Luddite, for
onething, his latest work concentrating again
on the breast-to-breast andignoring the
potential of networked communication (he would thus be
unableto value the very important
communication we are making @ this moment,
forexample). He is becoming reactionary in his
old(er) age -- Wilson being that-- old/er.
There are many generational gaps to cross, which is why his
workTAZ will perhaps remain his strongest, as
he was able to connect variousanarchic
contexts trued & tried with emerging networked subcultures. I
thinkhis work offers value beyond the TAZ in
this respect as possibly being oneof the 20C's
most valuable anarchist thinkers in every respect -- for who
hewrites & how -- for who he connects
& how -- his ability to connect
thetheoretical maneouvres of D&G to an
applicable meme perhaps the
strongest.That said I remain very
unclear as to what you mean by 'progressive'
andwould raise eyebrow @ the term out-of-hand
(I think: Futurist, I think:telos, I think:
goal, I think: progress towards what?, I think:
'progressivetrance' (anything but)). You
straw-man Wilson/Bey against the term, so
itneeds some proper fleshing for me to follow
any critique reliant upon
itseriously.The
child-sex issue is more directly apparent. However I would give Bey
morespace -- and here I say BEY -- in using
age-old anarchic techniques ofprovocation
& moral stunning to dig the reactionists out of the
so-calledliberals, which he seems to have done
quite well with you [*chuckle*]. Beyisn't
necessarily writing for Truth, as Imperative -- but to Fuck Shit
Up.You can't get any more offensive than
child-sex in today's society that atonce
abhors the idea yet glorifies every moment it can find to seek out
thepedophile (a phenomenon *created* by the
20th C -- the work by LutherBlissett
collective in Italy being a brilliant pisstake) -- even to
thepoint today where we prosecute those who
download the images of childpornography &
write *fictional* stories but don't pursue those who ABDUCT
&MAKE child pornography with nearly the
same vengeance & resources, nor do
weprovide clear rulings (except for Amsterdam)
on the legality of varioussexual acts as they
pertain to prostitution, stuck as most of the world
isin vague & repressive laws concerning
our own bodies & religions that
backedthese laws into place long ago. I speak
here from working under LorraineWeir, a Prof @
UBC who testified in the child porn case of Robin
Sharpewhich came to define child porn law in
Canada. Believe it or not, until Weiroffered
expert testimony to the contrary, Cdn court law believed that
whatone writes is Truth, always (thus fiction
cannot exist). This allowed CanadaCustoms to
seize any material it deemed 'obscene' -- post office
workersdoing the Censorship, w/out any
knowledge or background in what
mightconstitute such a term (in Canada, we
don't have Rights; rather such laws asfree
speech are determined by community consent; it was up to Weir to
provethat there was a community for various
pornographies -- of course the seizedmaterial
was largely of the gay/lesbian type & the seizures were
directresults of systematic sexual
discrimination & homophobia).Thus I
am suggesting that Bey's work is fictitious -- although this
doesn'tmake it any less of a weapon, tool or
bodythought in the 21C. It does changethe
levels and ways in which one engages his texts -- they require
morethought than most
give.AS for 'sanity' -- I don't dismiss
the 'building' of alternativeinstitutions --
but I have trouble believing that today we can measure
byany standards the sane & insane -- I am
not a nihilist (one cannotstructurally
*believe* in nothing, although one can understand lack as
thatwhich generates a commodified desire in
capitalist economies) -- rather I amquite sane
about the point that there is a basis for questioning what we
aredoing as sane/insane, this very idea of
'building' (for what purpose?) -- &this
will remain the one question anarchic thought poses throughout
themanufacturing of histories
..Thanks indeed for writing,
Highly Googled Adam,-
tobiasps. It might be worthwhile to post
your & my response so as to invokedialogue
w/ the wider others ?pps. Don't forget
the boy was inside it when the V-2 came down ;)
posted. Fri - December
12, 2003 @ 11:38 AM
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..ziP:
./them.hallucinates./.
.this blog sketches words & links from tobias c. van Veen -- renegade theorist & pirate. Everything here is in-progress, often a mess of thoughts and poorly edited grammar.
currents.projekts
- [o8.28.o4] improv.show, curated by Aime Dontigny, with Diane Labrosse, Esther B, Marinko Jareb, Constantine +. more info tba.
- [10.14-19.o4] New Forms Festival, Vancouver, BC.
recent.enough
-[o6.28-o7.o6.o4] Amsterdam, Netherlands, @ Steim
-[o6.20-28] SLS, Paris, France.
-[o6.15-20.o4] Barcelona / SONAR, Spain
-[o6.16.o4] performance @ ColdCreation Gallery, Barcelona
-[o6.11.o4] No Type showcase @ Casa del Popolo
-[o5.29.o4] Addictive TV jam_session @ SAT. Free, 8pm+ .
-[o5.21-23.o4] Phantom Power, North Bay, Ontario
-[o5.16.04] SAT w/ me & Colin the Mole [HOSER A].
-[o5.o3.o4] SHARE.dj, NYC (Open Air, East Village, 9pm-12am).
-[04.28-05.04] Troy/Boston/NYC.
- [04.15.04] Anyware :: broadcast from SAT with Tomas Phillips, [sic], Sylvain Aubˆ©, Physical Noise Theatre. Organised by SHARE.dj, NYC.
- [03.31.04] Casa del Popolo: a. dontigny & diane labrosse. [experimental turntablist set].
- [03.27.04] Primavera (art happening & music). [La boite H], Studio 389, Groover Building,
2065 Parthenais. Info: 514.529.1007 . Metro Frontenac, Montreal.
- Deep Listening Night, MTL [03.06.04]. Contact for invite. Feat. myself and Thomas Phillips collaborating among others.
- Artivistic Conference. McGill University, Montrˆ©al, Cultural Studies Building, 3475 Peel St. " Sampledelia: Turntables and Sonic Force" [talk with turntables, March 2nd, 7pm]; Vernissage with tunes, March 2nd, 9pm; Roundtable on " The State of Art in Activism Today and Future Artivist Strategies" [March 3rd, 2:30-4pm].
- Left.Coast jam_sessions @ SAT. w/ Noah Pred, Colin the Mole, VJs Chanti & cousinchang. [02.25.03]
- DJ Spooky @ SAT. opening techno-turntablism & collage. [02.13.04]
- No Type show at Casa del Popolo feat. Books On Tape &
Mr. Mixel Pixel & me un/manning the wax. Jan. 28, Montreal. $8.
- olo J. Milkman - RECOMBINANCE - light projections & lines @ SAT. WiTH me on turntables. jan 29. 7-10pm, FREE, Montreal.
- Autonomedia/Chronoplastics fundraiser for Sound Generation book. January 8th & 10th, NYC.
detailed.recent.projekts
+ dj sets +
- [o6.20.o4] "...attico mixdown," barcelona. streams: 48k | 128k + downloads: 48k | 128k. hosted by Burn.fm.
\\ back.ground & contact
friendly.fire
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...puplished 0n: Aug 13, 2004 01:51 PM
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